Sunday, October 02, 2022 | 5:30 PM

Emi Ferguson, flute
Ruckus

The Paul & Barbara Krieger Early Music Concert

Location: Shriver Hall

In “a fizzing, daring display of personality and imagination” (The New York Times), flutist Emi Ferguson is joined by the continuo band Ruckus for a kaleidoscopic romp through some of Bach’s most joyous and transcendent works. Ruckus, whose forces include theorbos, baroque guitars, baroque bassoon, cello, viola da gamba, harpsichord, organ, and bass, has earned widespread acclaim for its fresh, visceral approach.

“…achingly delicate one moment, punchy and incisive the next.” – The New York Times

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Emi Ferguson

Hailed by critics for her “tonal bloom” and “hauntingly beautiful performances,” English-American performer and composer Emi Ferguson stretches the boundaries of what is expected of modern-day musicians. Emi’s unique approach to the flute can be heard in performances that alternate between the Silver Flute, Historical Flutes, and Auxilary Flutes, playing repertoire that stretches from the Renaissance to today.

Emi can be heard live in concerts and festivals around the world as a soloist and with groups including AMOC*, the New York New Music Ensemble, the Handel and Haydn Society, and the Manhattan Chamber Players. She has spoken and performed at several TEDX events and has been featured on media outlets including The Discovery Channel, Vox's "Explained" series on Netflix, Amazon's The Marvelous Mrs. Maisel, and Juilliard Digital's TouchPress apps talking about how music relates to our world today. Her debut album, Amour Cruel, an indie-pop song cycle inspired by the music of the 17th century French court was released by Arezzo Music in September 2017, spending 4 weeks on the Classical, Classical Crossover, and World Music Billboard Charts. Her 2019 album Fly the Coop: Bach Sonatas and Preludes, a collaboration with continuo band Ruckus debuted at #1 on the iTunes classical charts and #2 on the Billboard classical charts, and was called “blindingly impressive…a fizzing, daring display of personality and imagination” by The New York Times.

Emi was a featured performer alongside Yo-Yo Ma, Paul Simon, and James Taylor at the 10th Anniversary Memorial Ceremony of 9/11 at Ground Zero, where her performance of Amazing Grace was televised worldwide. Her performance that day is now part of the permanent collection at the 9/11 Museum. Emi is currently on the faculty of The Juilliard School teaching Ear Training, the Bach Virtuosi Festival, and has taught on the faculty of the University of Buffalo. Her principal teachers have been Carol Wincenc, Sandra Miller, Robert Langevin, and Judy Grant. Born in Japan and raised in London and Boston, she now resides in New York City.

Her website is emiferguson.com.

“a fizzing, daring display of personality and imagination” —The New York Times

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Ruckus

Ruckus is a shapeshifting, collaborative baroque ensemble with a visceral and playful approach to early music. The ensemble debuted in Handel’s Aci, Galatea e Polifemo in a production directed by Christopher Alden featuring Anthony Roth Costanzo, Ambur Braid and Davóne Tines at National Sawdust. The band’s playing earned widespread critical acclaim: “achingly delicate one moment, incisive and punchy the next” (New York Times); “superb” (Opera News).

Ruckus’s core is a continuo group, the baroque equivalent of a jazz rhythm section: guitars, keyboards, cello, bassoon and bass. Other members include soloists of the violin, flute and oboe. The ensemble aims to fuse the early-music movement’s questing, creative spirit with the grit, groove and jangle of American roots music, creating a unique sound of “rough-edged intensity” (New Yorker). Its members are assembled from among the most creative and virtuosic performers in North American early music, and is based in New York City.

Ruckus’ debut album, Fly the Coop, a collaboration with flutist Emi Ferguson, was Billboard’s #2 Classical album upon its release. Live performances of Fly the Coop in Cambridge, MA was described as “a fizzing, daring display of personality and imagination” (New York Times).

"Ruckus brought continuo playing to not simply a new level, but a revelatory new dimen-sion of dynamism altogether… an eruption of pure, pulsing hoedown joy … Wit, panache, and the jubilant, virtuosic verve of a bebop-Baroque jam session electrified and illuminated previously candle-lit edifices as Ruckus and friends raised the roof, and my mind’s eye will never see those structures in quite the same light again.” (Boston Musical Intelligencer)

With "Holy Manna," a program including arrangements of early American hymns from the shape-note tradition, Ruckus has begun a multi-project exploration of histories of American music. Other upcoming projects include a co-commission of a large-scale work by pioneering artist and NEA Jazz Master Roscoe Mitchell as part of a Bach / Bird Festival (with The Metropolis Ensemble and the Immanuel Wilkins Quartet).

The group's website is ruckusearlymusic.org.

“Wit, panache, and the jubilant, virtuosic verve of a bebop-Baroque jam session electrified and illuminated previously candle-lit edifices as Ruckus and friends raised the roof, and my mind’s eye will never see those structures in quite the same light again.” —Boston Music Intelligencer

Johann Sebastian Bach (1685-1750)

Prelude in G major, after BWV 884

Johann Sebastian Bach (1685-1750)

Sonata for Flute and Continuo in E minor, BWV 1034

Johann Sebastian Bach (1685-1750)

Prelude in E minor, after BWV 855

Johann Sebastian Bach (1685-1750)

Wenn wir höchsten in Nöten sein, BWV 641

Johann Sebastian Bach (1685-1750)

Prelude in C minor, after BWV 847

Johann Sebastian Bach (1685-1750)

Aria from Goldberg Variations, BWV 988

Johann Sebastian Bach (1685-1750)

Sonata for Flute and Continuo in C major, BWV 1033

Johann Sebastian Bach (1685-1750)

Prelude in C minor, after BWV 999

Johann Sebastian Bach (1685-1750)

Prelude in D major, after BWV 1012

Johann Sebastian Bach (1685-1750)

Adagio from Trio Sonata in D major, after BWV 1027

Johann Sebastian Bach (1685-1750)

Sonata for Flute and Continuo in E major, BWV 1035

Johann Sebastian Bach (1685-1750)

Prelude in E major, after BWV 815a

Program Subject to Change Without Notice