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Renowned for her colorful lyricism and insightful interpretations, British pianist Imogen Cooper is regarded as one of the foremost interpreters of Classical and Romantic repertoire. Her Baltimore debut features one of Schubert's final sonatas, a restless work of drama and virtuosity.

Please note that this concert will take place at Baltimore Hebrew Congregation. Learn more here.

"Her tone took on radiance, precision, and cognitive depth that telegraphed worlds of emotion with only a few notes." —The Philadelphia Inquirer

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    Imogen Cooper

    Regarded as one of the finest interpreters of Classical and Romantic repertoire, Imogen Cooper is internationally renowned for her virtuosity and lyricism. Recent and future concerto performances include the Berliner Philharmoniker and Sir Simon Rattle, Sydney Symphony with Simone Young and the BBC Scottish Symphony Orchestra with Thomas Dausgaard. This season she will perform lieder recitals with Mark Padmore, including at the Concertgebouw in Amsterdam and a series of solo recitals at the Wigmore Hall in London, focussing on Haydn and Beethoven.

    Imogen has a widespread international career and has appeared with the New York Philharmonic, Philadelphia, Boston, Cleveland, Vienna Philharmonic, Royal Concertgebouw, Leipzig Gewandhaus, Budapest Festival, NHK and London Symphony Orchestras. She has also undertaken tours with the Camerata Salzburg, Australian and Orpheus Chamber Orchestras. She has played at the BBC Proms and with all the major British orchestras, including particularly close relationships with the Royal Northern Sinfonia and Britten Sinfonia, play/directing. Her recital appearances have included Tokyo, Hong Kong, New York, Singapore, Paris, Vienna, Prague and the Schubertiade in Schwarzenberg. 
  

    As a supporter of new music, Imogen has premiered two works at the Cheltenham International Festival; Traced Overhead by Thomas Adès (1996) and Decorated Skin by Deirdre Gribbin (2003). In 1996, she also collaborated with members of the Berliner Philharmoniker in the premiere of the quintet, Voices for Angels, written by the ensemble’s viola player, Brett Dean.

    Imogen is a committed chamber musician and performs regularly with Henning Kraggerud and Adrian Brendel. As a Lieder recitalist, she has had a long collaboration with Wolfgang Holzmair in both the concert hall and recording studio. Her discography also includes Mozart Concertos with the Royal Northern Sinfonia (Avie), a solo recital at the Wigmore Hall (Wigmore Live) and a cycle of solo works by Schubert recorded live and released under the label ‘Schubert Live’. Her recent recordings for Chandos Records feature music by Brahms, Chopin, Liszt, Wagner and Robert and Clara Schumann.

    Imogen received a CBE in the Queen’s New Year Honours in 2007 and was the recipient of an award from the Royal Philharmonic Society the following year. In 1997 she was awarded Honorary Membership of the Royal Academy of Music and in 1999 she was made a Doctor of Music at Exeter University. Imogen was the Humanitas Visiting Professor in Classical Music and Music Education at the University of Oxford for 2012-13. The Imogen Cooper Music Trust was founded in 2015, to support young pianists at the cusp of their careers, and give them time in an environment of peace and beauty.

    "Forthright in formal outline, firm yet elegant in tone, crystalline in articulation and chordal voicing, sensitive to the subtlest inflections of rubato, color and dynamics." —Chicago Tribune

Franz Joseph Haydn (1732-1809)

Sonata No. 60 in C major, Hob. XVI:50

Thomas Adés (b. 1971)

Darknesse Visible

Ludwig van Beethoven (1770-1827)

Sonata No. 31 in A-flat major, Op. 110

Franz Schubert (1797-1828)

Sonata in C minor, D. 958

Program Subject to Change Without Notice